Tuesday, January 22, 2008

FAVORITE RUNAWAY BUNNY AMAZON REVIEWS

5.0 out of 5 stars




5.0 out of 5 stars Destined to go down in history as a classic, April 9, 2008
By Peter A. Holder (Montreal, Canada) - See all my reviews
(REAL NAME)
Initially I thought I was going to be jealous of children because they have this brand new classic, but then I realised that one doesn't have to be a child to enjoy "The Runaway Bunny." Glen Rove has created a new masterpiece that is destined to entertain and enthral children in the tradition of such classics as "Peter & The Wolf."

When you listen to the music you can actually visualize the story, bunny hops and all. "The Runaway Bunny" can ignite a child's already vivid imagination and rekindle the imagination of adults. In other words Glen Rove has created a gift for your senses. I suggest you pick up a copy whether you have a child or not.

Peter Anthony Holder Classic Book spawns a new classic, May 8, 2008
By William Alpert "violin teacher" (Rancho Cucamonga, CA United States) - See all my reviews
(REAL NAME)
From the standpoint of a parent, it's great to see one of my son's favorite books come to life again, in a brand new form. From the standpoint of a musician and violinist, it's equally exciting to see to find this classic book at the heart of a fine new violin concerto by an important American composer.

Ittai Shapira's playing is at once expressive and virtuosic. Brooke Shields is spot-on in the vocal characterizations. The recording quality is superlative, as is the Royal Philharmonic under Stephen Fry. It's a fine concerto, splendidly written for the instrument, with the point and energy of Stravinsky, the warmth of Barber and the humor of Prokofiev, all wrapped in a wonderful mix. Glen Roven's Runaway Bunny deserves to take its place in the pantheon of great modern violin literature.

5.0 out of 5 stars Runaway Bunny a Runaway Hit, April 10, 2008
I loved this! What a simple, yet great idea: setting a classic nighttime story to music. Glen Roven is a genius: somehow he has managed to transform the magic of an impish little bunny and a deeply caring mother from words on the page to notes in the air.
I really think this adaptation should be a regular complement to all orchestra performances featuring "Peter and the Wolf." It's one of those rare pieces of art that captivates kids and parents. Brilliant!
-Sally, co-host "Walking on Air with Betsy and Sal"

5.0 out of 5 stars Brainy, beautiful and charming, April 10, 2008
By Dave King (Brooklyn, NY United States) - See all my reviews
(REAL NAME)
This musical translation of the beloved bedtime story is smart enough for adults, but so sweet and transporting that it's also perfect for kids. From the virtuosic violin work to the comforting ending, I've come to think of it as the perfect gift.

Let me also post this review, which I put up quite a while ago on amazon uk:

This is a terrific compilation, but of the three, the piece I return to most frequently is The Runaway Bunny. It's the work's ambition, I think, that so impresses me, for though the familiar story is simple and dear, the music--both the composing and the performance--is thoroughly virtuosic. I recently paired The Runaway Bunny with Peter and the Wolf for a course I taught on cultural transformations, and damned if the Bunny didn't absolutely hold its own against the Wolf! No kidding: essential.

5.0 out of 5 stars A Winner, April 10, 2008
By Ariel A. Blumenthal (Los Angeles, CA) - See all my reviews
(REAL NAME)
Yes, even a grown-up child like myself loved this CD! The Runaway Bunny has it all: a classic story, celebrity clout, and serious, fun, good music - it's a winner! So many orchestras and parents are trying to get children familiar with orchestral music, most of the times it's a challenge, but listening to this CD it seems an easy task, with such playful, energetic, fun music. Makes me wonder how come no one thought of adapting this story before?
This is 5 starts for grown ups and kids alike.

5.0 out of 5 stars My daughters LOVED it!, April 9, 2008
By J. Leeds (Flushing, NY) - See all my reviews
(REAL NAME)
I am lucky enough to already have a copy of this recording.

"The Runaway Bunny" was one of our favorite bedtime books for both of our daughters. They were very familiar with the rhythms and words. To get the beautiful score that Mr. Roven has composed to add to that was like a dream come true.

>>>I surprised both of them on a long car ride we were about to embark on, and we listened to it over and over again calling and singing out what theme was going to pop up next. Joy all around.<<<

As a parent and as a music lover, I highly recommend it.


5.0 out of 5 stars A Magical Journey, April 9, 2008
One of my favorite things as a small child, was putting on recordings of stories like "Jack And The Beanstalk," or "Peter And The Wolf" and being transported into a magical world, where beautiful music and a great story took me to a magical place in my imagination. (The records also were cool colors!)
Glen Roven has once again taken me there and it feels great to be back!

5.0 out of 5 stars Feedback from my 8-yr. old son, April 9, 2008
From my 8-yr old son: The best piece of music that I've heard since Beethoven's Fifth! Really something! When I was very young my parents read this book to me many times. I liked the book, but forgot how much, until I listened to this piece and was reminded just how much character it had and that now has been brought to life. Runaway Bunny was a book that shaped my life. It was one of the first books I ever heard and I was immediately fascinated by it. Now I'm eight and I look back at those times and remember what it was like in my early years and can still enjoy it again now!

From Mom: Very sentimental for all the mom's who adored the book and can now continue to enjoy it by listening to the sophisticated music and beautiful narration that is a perfect complement and allows us all to reminisce as we listen.


5.0 out of 5 stars This Bunny's a Beauty, April 8, 2008
GLEN ROVEN HAS TAKEN A TIMELESS CLASSIC AND, WITH A RICH IMAGINATIVE SCORE HE BEAUTIFULLY EMBELLISHES A TALE THAT'S TOUCHED THE HEARTS OF GENERATIONS.
WITH THE MULTI-MEDIA WORLD WE LIVE IN, THIS BUNNY TAKES ON A WHOLE NEW DIMENSION. BRAVO. HIGHLY RECOMMENDED FOR CHILDREN OF ANY AGE.


5.0 out of 5 stars Not since "Peter & the Wolf"..., April 8, 2008
Not since my kids and I listened to "Peter and the Wolf" have we been so touched by a musical composition and the performnces of Ittai,Brooke and the Royal Philharmonic.Simply beautiful musical story-telling in a sumptuous setting,with virtuostic playing and a palpable feast for the imagination.

5.0 out of 5 stars A total delight, April 8, 2008
By George Connolly (New York, NY United States) - See all my reviews
(REAL NAME)
I saw THE RUNAWAY BUNNY performed in New York City by Glen Roven and Ittai Shapira with the narration done adorably by Sandy Duncan. It was a total delight and the recording with full orchestra and Brooke Shields as narrator is a joy also; Ms. Shields will be performing this piece with Mr. Roven and Mr. Shapira at Carnegie Hall on April 29, 2008. This should get lots of play both on CD players and in concert halls.



5.0 out of 5 stars Classic Classical, April 9, 2008
By John D. Bartone (St. Petersburg, FL United States) - See all my reviews
(REAL NAME)
Glen Roven's evocative and emotionally stirring violin concerto, THE RUNAWAY BUNNY, colors and complements the classic tale as effectively as any children's book illustration. His themes conjure vivid pictures of the frolicsome bunny, soaring mountaintops, the rollicking big top, and a mother's loving embrace. The music is splendidly served by Ittai Shapira's virtuoso performance and Brooke Shields' heartfelt narration. It is hard to imagine a more successful collaboration. Children will be charmed by this accessible and engaging work, and adults will

5.0 out of 5 stars Runaway Bunny is a Runaway Hit!!!, November 30, 2006
By M. Schlatter (California, USA) - See all my reviews
I saw this performed on the Labor Day telethon by the composer, Glen Roven. It was amazing!!! Although it was a concerto written for children, the emotion and humor of the music takes the children's story to a very sophisticated adult level. I am reminded of listening to my "Peter and the Wolf" album over and over as a child. It was my first introduction to music appreciation. This is sure to become this generation's version of a classic. It will be my only baby shower or children's birthday gift from now on!

5.0 out of 5 stars Deeply Moving, March 6, 2008
This recording is absolutely breath taking. The story leaps into your imagination. The music brought me to tears. How refreshing to hear a new piece that inspires both children and parents.What a perfect gift for any family, anyone who has ever loved a child. Bravo, to Glen Roven.
5.0 out of 5 stars A fabulous musical experience for children and parents alike!, September 6, 2007
A beautiful tale retold in a beautiful and innovative way. Great for children of all ages--and their parents, too!

5.0 out of 5 stars A True Classic, January 5, 2007
By Joseph A. Vallo (New York, NY) - See all my reviews
(REAL NAME)

This is a wonderful addition to our family collection of CDs. It is a classic tale. Our 9 year old daughter truly enjoyed the story and the music. Glen Roven's composition is captivating. It is the perfect combination of Roven's music, Shapita's playing and Shields' lovely narration. This is must have for both for children and adults.

5.0 out of 5 stars A wonderful gift for your child, December 22, 2006
Runaway Bunny is a wonderful way to introduce your children to the beauty and power of classical music. For those familiar with the book, Glen Roven's inspired score and Brooke Shield's impassioned narration will only enhance your feelings for this wonderful story of a mother's fierce and loving devoton to her baby. For those who are not familiar with the story, this composition is complete and completely rewarding in and of itself. The music is an invitation to flights of fancy, an enjoyable roller coaster ride through the emotional pull-and-tug between parent and child. It's a wonderful gift for any young child -- and a perfect companion piece to the book.


5.0 out of 5 stars The BUNNY changed my life, December 4, 2006
Tender, beautiful, evocative....I love this "Bunny" more than I can say. This is one of those rare pieces that children and parents will simultaneously adore for their own distinct reasons. A gorgeous work.....

5.0 out of 5 stars Hop on out to get this one, December 2, 2006
If you've ever wondered how a new classic can be inspired by an old one... just listen to this CD, particularly "The Runaway Bunny." You can't read the story again without hearing the tunes in your head. It's melodic, engaging, smart and downright entertaining. And with the lovely Ms. Shields narrating, our kids are spell-bound. In all, it's that rare "children's CD" that we adults can listen to on our own. (Shhh! Don't tell my daughter I've borrowed her CD!)

5.0 out of 5 stars This Bunny Enchants, December 1, 2006
By Robin Addison (West Yorkshire, UK) - See all my reviews
(REAL NAME)
On a recent trip to the US my kids saw The Runaway Bunny performed on TV. Their attention was rapt by the music, fascinated by the violin playing the Bunny and the piano/orchestra representing all the other elements of this beloved story. At last, a new work to stand beside Peter and the Wolf! They will be thrilled to find this CD stuffed into their Christmas stockings, and we will all enjoy listening to this enchanting musical work for children of all ages.

5.0 out of 5 stars This Runaway Bunny makes a Wit-ty addition to any Xmas stocking, November 30, 2006
By alvy_singer (New York, NY) - See all my reviews
I had the pleasure of hearing Ittai Shapira perform The Runaway Bunny live, with Sandy Duncan doing the narration, at an intimate concert in New York. Now the rest of America gets the chance to bring this musical event to family rooms across the country, with an assist from The Royal Philharmonic and Brooke Shields. While I can't speak to the rest of the CD, this 20 minute piece has soothed children of all ages, when I pop the cd in, while driving around Los Angeles. Hmm...how many narrators will have played Roxie Hart in "Chicago" by the time Roven's instant classic is performed with symphonies around the world?

5.0 out of 5 stars Runaway Bunny will be Runaway hit, November 29, 2006
By Lee Miller (Los Angeles) - See all my reviews
(REAL NAME)
Glen Roven is a colleague and friend. He is also a first class composer and conductor. Runaway Bunny will delight you and your kids and grandkids. You will love it!

5.0 out of 5 stars All Ears!, November 29, 2006
The "Runaway Bunny" is a delightful new masterpiece from maestro Glen Roven -- it's charming, witty, enjoyable and a perfect holiday gift for kids AND grownups.

5.0 out of 5 stars The Bunny succeeds!!, November 29, 2006

The Bunny succeeds on at least two levels. As a professional Musician, I find Roven's lyrical support of the Story, as well as his striking orchestrations, succeed brilliantly as a symphonic composition proper. Secondly, as a father, I am delighted to see my two children infatuated with "The Bunny" - they can't get enough. A fabulous way to introduce young people to Classical music. The Runaway Bunny is perfect for the Holidays and beyond.

Thursday, July 12, 2007

Playing For The Stars

Not to brag, but I've stood upon some pretty rarified podiums: I've conducted "The Candy Man" for Sammy, “New York, New York” for Frank, and “Bye, Bye, Miss American Pie,” for Don McLean.

But to be honest, nothing competes in the thrill department with playing a piano for a Broadway legend who is recreating an original performance. Talk about musical comedy heaven.

I always feel I'm suddenly transported back to the Golden Age of Musicals, a period I sadly missed but imagined as intensely as any cast-album producer could have wished. When I play the piano for a legend and it's just the two of us onstage, I feel as if I am writer, singer, director and audience in a magical time-travel wish fulfillment dream.

When I was just a punk kid – probably aware that I'd have to hurry, I somehow managed to escape high school and started playing for performers at auditions, rehearsals and nightclubs in Manhattan. Phyllis Newman heard about me and I was suddenly writing her new act for the Grand Finale. (Anyone remember that place?). Phyllis was a well-known TV personality then but she first came to prominence as a supporting actress in a less-than-successful Jule Styne, Comden and Green musical called, Subways are For Sleeping. (Anyone remember that?) In fact, Phyllis won a Tony Award for her performance as a fallen bathing beauty, beating out another star-to-be who was making her debut as Miss Marmelstein down the block.

Happily for me, while my friends were listening to Black Sabbath, I was listening to Jule Styne and I knew the album to Subways by heart. So when Phyllis said we were going to do her famous number, “I Was A Shoo-in,” my heart skipped a beat. And when she said I was going to perform the Orson Bean dialogue with her, I virtually went into cardiac arrest.

Even then I was well aware that “Shoo-in” isn't first rate Jule Styne. It's probably not even third rate. But for me, at that moment, the number could have been “Rose's Turn.” There I was playing for the same person who was on the cast album, recreating with my fingers the sound that I grew up on. Last week I had been in home room, and this week I could not believe where I had landed.

Through Phyllis, I met her illustrious husband, Adolph Green and his partner Betty Comden. One fine day the pianist who had traveled with them for years couldn't make it, and I was enlisted. No World War II soldier ever stepped forward as fast. In a few minutes I was accompanying Adolph as he sang -- no, forgive me -- became Captain Hook, singing the lyrics he himself had written. And Betty imitating Judy Holiday? No, that's wrong. Judy Holiday was imitating Betty who was then imitating Judy. Well, who ever was doing whom, I remember the thrill of playing my favorite song, “Make Someone Happy,” with the lyricist. The way she phrased it, the way her lyrics caressed the music. It was poetry. I can hear her in my head as I write.

Over the years, I've accumulated many fabulous memories: playing “Nowadays” for Gwen and Chita, the Cassie Dance for Donna McKechnie and “What I Did for Love” for Priscilla Lopez. After she was a dictator-ess but before she was a legend, I played for Patti LuPone at many classy and not so classy venues. Performing Patti's Broadway classics was a completely different experience, because quite frankly, I never liked nor really understood “Don't Cry for Me Argentina.” Or “I Dreamed a Dream.” I admit I had been disappointed by these songs; they didn't seem to be infused with the wit and specificity of the songs I considered classics.

But something miraculous happened when I played for her. Her belief in the songs made me believe them absolutely. It was as if she were singing Mozart. I can't believe I felt like that. I can't believe I'm writing it. When I played that musical interlude in “Argentina,” I was there right by her side on the balcony at the Casa Rosada. When I played those three building chords and she lifted her hands, I could barely control myself.

Another memory is interviewing and playing for Carol Channing at a show we did together called Singular Sensations. We were talking about Dolly and the audience was eating it up. She and I had performed “Before the Parade Passes By,” and now we were talking about the title song and Gower Champion's staging: how in rehearsal, Gower had the waiters lift Carol in the air. Then he came running down the aisle saying, “No. That's wrong. Sorry. Dolly is becoming her own woman. She should never be lifted. She always has to have her two feet planted firmly on the ground.” Then Carol talked about the modulation into the last chorus. How it's not just a modulation, it's a musical metaphor for Dolly picking up the pieces of her life and moving forward.

The audience was mesmerized. Knowing the frenzy it would cause, I went to the piano and started the famous strut intro to “Hello, Dolly.” The crowd was on their feet and stood through the entire number. And when we hit that modulation and Dolly made up her mind, I modulated for dear life. I had to pinch myself: I was playing Dolly for Dolly.

Tonight, I have the privilege of playing for Florence Henderson in a new one women show we put together. When I first met her I had to reveal my guilty secret: When I was a little kid, way before High School exit strategy, my mother took me to the New York State Theater for the revival of South Pacific starring Florence. Honestly, I remember it like it was yesterday. I remember the giant exotic flowers engulfing the proscenium; I remember the stage jutting over the orchestra pit; and most of all I remember Florence as Nellie Forbush. I was sitting way in the balcony but Lord, I swear I can remember her putting her hands on her hips, thrusting out her chest and belting “Wonderful Guy.” I even remember the sound and colors of the orchestra: that magical Richard Rodgers hesitation waltz and the heavy downbeats contrasting with the lightness of the tune.

So, tonight, when I start playing that famous vamp from South Pacific and Florence transforms into Nellie, you can bet I'll be trying to recreate those musical memories at the keyboard. Chances are, I'll have an enormous Cheshire Cat grin on my face. Now, you'll know why.

Glen Roven

Tuesday, December 5, 2006

LYRICS for KIRK DOUGLAS'S 90th Birthday Party

Special Material Written by Glen Roven and Maria S. Schlatter


(The guests are surprised when, out
of nowhere, a VIOLINIST—Bruce Dukov from
the Hollywood Bowl Orchestra—appears
and starts to play the theme from
FIDDLER ON THE ROOF. The show is beginning!


MICHAEL, as TEVYE the dairyman, makes his
Way to the performing area. The MUSIC
Continues)


MICHAEL
(as TEVYE)

A Jewish star in the movies?! Sounds crazy, no? But in our little shtetle of Trousdale estates you might say that every one of us is a Jew trying to make it in the business of show. It isn’t easy.

You may ask, “why do we do it?” Do we do it for the money? Yes.

Do we do it because of our unmitigating and enormous egos. Yes.

Do we do it so we can rub that first bastard casting director who said we’d never make it-‘s nose in our success? …Yes.

But there’s something far more important than all of that…We do it to get the hot chicks. It’s tradition.



And the man who got the hottest chick in town is the man we’re here to celebrate. Kirk Douglas!



(JOEL and PETER enter)



JOEL, PETER and MICHAEL
(as JEWS from ANETVKA)



KIRK DOUGLAS,
KIRK DOUGLAS,

(THEY spin like Jews for a beat)

KIRK DOUGLAS,


KIRK DOUGLAS,
KIRK DOUGLAS,

(Another spin)

KIRK DOUGLAS.



HERE IS A MAN WHO
IS SO VERY MANLY
CLEFT UPON HIS CHIN,
SO DEEP THAT YOU COULD DIVE IN

THIS MANLY MAN
HE SHOT HIS SEED AROUND
AND MADE SOME OTHER
MANLY MEN

MY POPPA
MY POPPA,

(SPIN)

KIRK DOUGLAS


MY POPPA,
MY POPPA,

(SPIN)

KIRK DOUGLAS



(The VIOLIN underscore continues.)


PETER

Some say that the Spielbergs, Katzenbergs, Soderbergs, all the…Bergs are perhaps more Jewish than the non-Bergs. But I ask you: Do they go to temple more often? No. Are their ‘CHHHHHHHHHH’s” stronger? No. Were their circumsicians more painful? No…Definitely not!

JOEL

When my father changed his name to become an actor…he purposely chose a name that was steeped in ancient roots and meaning of its own. His first name “Kirk” is actually Native American. It means “I took an axe to his chin and it looks pretty damn good.”


ALL (with Michael trying to smooth everything out.)



KIRK DOUGLAS,

KIRK DOUGLAS,



(THEY spin like Jews for a beat)



KIRK DOUGLAS,



KIRK DOUGLAS,
KIRK DOUGLAS,

(Another spin)

KIRK DOUGLAS,



(JOEL and PETER to leave the
playing area as the VIOLIN continues)



MICHAEL
Kirk Douglas. Kirk Douglas. This may sound silly or overly-dramatic, but, if it weren't for him, I have a sneaking suspicion that I wouldn't be here today.



(MUSIC VIOLIN BUTTON)




MICHAEL

(He wraps up the show…and…)



I mean…after all that what can you say, except: (to the pianist) HIT IT.





(SUPERCALIFRAGILISTIC)



MICHAEL and CATHERIJNE

KIRK CAST A GIANT SHADOW

THROUGH ALL SEVEN DAYS IN MAY

OUT OF THE PAST, THIS JUGGLER

PLAYED A GREAT "DOC HOLIDAY"

HE CRASHED THE WALLS OF JERICHO

'CAUSE THEY WERE IN HIS WAY

ALL WOMEN DREAMED TO BE WITH HIM

ALL MEN WISHED THEY WERE GAY.-



CHORUS



THE CAST

OH, SPARTACUS, TO CATCH A SPY, ULYSEES: SUCH A CAD, OH

LUST FOR LIFE, I WALK ALONE, THE BEAUTIFUL AND BAD. OH

SEVEN DAYS IN MAY, THE FURY CAST A GIANT SHAD-OW

ISSUR DANIELOVITCH DEMSKY: PETE AND MICHAEL'S DAD, OH!



CATHERINE (spoken)

In Wales, we’d never have a birthday celebration without a good ol’ fashinoned birthday sing along. So under your plates our the lyrics. You must know it by now. EVERYBODY!



(And indeed, under the plates, in nice

BIG letters, are the words to the CHORUS)



THE ENTIRE ROOM

SPARTACUS, DOC HOLIDAY, ULYSEES: SUCH A CAD, OH

LUST FOR LIFE, I WALK ALONE, THE BEAUTIFUL AND BAD. OH

SEVEN DAYS IN MAY, THE FURY CAST A GIANTO SHAD-OW

ISSUR DANIELOVITCH DEMSKY: ONE TERRIFIC DAD, OH!



CATHERINE

One more time!



THE ENTIRE ROOM

SPARTACUS, DOC HOLIDAY, ULYSEES: SUCH A CAD, OH

LUST FOR LIFE, I WALK ALONE, THE BEAUTIFUL AND BAD. OH

SEVEN DAYS IN MAY, THE FURY CAST A GIANTO SHAD-OW

ISSUR DANIELOVITCH DEMSKY: ONE TERRIFIC DAD, OH!





(THE BRING OUT THE CAKE)



EVERYONE



HAPPY BIRTHDAY TO YOU

HAPPY BIRTHDAY TO YOU

HAPPY BIRTHDAY DEAR KIRK

HAPPY BIRTHDAY TO YOU!!!!!!